![]() These early pedals had their names and MXR’s logo silkscreened on their fronts in a distinctive script font. Toward the end of the same year, the Phase 45 was released, followed by the Phase 100 in 1975. The speed at which these notches are swept up and down the frequency spectrum is controlled by the Phase 90’s lone control knob.īecause the original MXR pedals were not true bypass, the input signal passed through the pedal’s buffer stage even when the effect was switched off, which caused it to suffer from tone suck.īy late 1974, MXR had introduced other pedals, including the Blue Box octave fuzz, Distortion+ and Dyna Comp compressor. Designed by Barr and released in either 1972 or ’74 (sources vary), the Phase 90 is a four-stage phaser, since it has four independent stages at which the signal’s phase is reversed, resulting in two modulated frequency notches. The Phase 90 was the debut effect from MXR, which Terry Sherwood and Keith Barr formed in 1972 in Rochester, New York.
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